Penelope Houston - On Market Street

Penelope Houston's seventh studio album On Market Street was incubated for seven years and recorded in seven months at the San Francisco Bay Area's prestigious Fantasy Studios. The award-winning singer/songwriter who cut her teeth in the legendary punk band The Avengers has turned to tales of revenge and forgiveness, of love both sanctified and illicit.

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Penelope Houston - On Market Street, 2012Penelope Houston - On Market Street, 2012

Album review:

"It's been a long time between new Penelope Houston albums. "On Market Street" was worth the wait. For the last 30 years, Houston has been one of the Bay Area's most vital musical artists. A punk pioneer with The Avengers, she has evolved into a brilliant solo artist. The new album, instantly grabbing, makes a more indelible impression with each subsequent listening. Lyrics and melodies are equally arresting. The indie folk-rock encompasses a range of styles, from edgy to whimsical '50s to subtly textured strings to jangly guitars and swirling Hammond B3. Houston displays a sense of humor on "Scrap," and a deeply moving social conscience on the poignant title track. Houston is an expressive vocalist and an extraordinarily eloquent and insightful songwriter. " -Paul Freeman, Mercury News.

Album info

Now I know my star may hang a little lower
My voice is ragged and my coat is far from new
But like the shimmer of a Caroliner rainbow
Between the cracks the light is coming through

From the anthem "If You're Willing" these lyrics bring hope to everyone who has anticipated the next Penelope Houston album. On Market Street celebrates the musical re-emergence of a unique creative voice.

The seeds for this album were planted in the dark times of October 2004. Bush was about to be re-elected. At the Hotel Atlantic around the corner from Hamburg's Knust club, Penelope was supporting the release of The Pale Green Girl, on a tour that became a respite from a poisoned marriage. As she watched the light of dawn breaking, words and music rose up in her mind like an apparition. "If you're Willing" signaled a new chapter for her, telling the story of the need for freedom and self-expression in both personal and political life. In the weeks that followed a tumultuous mix of desire, betrayal, guilt, and heartbreak inspired the kernels of many more songs.

Penelope's next years were momentous – divorce, independence, a notable lawsuit involving her proto-punk band the Avengers, a return to university, and nine Avengers tours. Throughout this intense period she continued to sharpen her message in songs that demanded declaration. Finally on a summer break Penelope booked time at the San Francisco Bay Area's prestigious Fantasy Studios (home to major artists from Sonny Rollins to Green Day to Joanna Newsom). Here she gathered a team of studio veterans familiar with her vision, and On Market Street was born.

Penelope and her co-producer Jeffrey Wood (Housemartins, Luka Bloom, Giant Sand) worked closely with longtime collaborator and guitarist, Pat Johnson, to shape these personal songs into epic musical narratives. With the rock solid foundation of drummer Dawn Richardson (4 Non-Blondes, Tracy Chapman) and the gilding Hammond B3 organ of Danny Eisenberg (Tift Merritt, Ryan Adams, Jonathan Richman), they created a sweeping backdrop for "If You're Willing," "You Reel Me In," "Missouri Lounge" and Johnson's hymn to forgiveness "Come Back to the Fountain." These tracks make up On Market Street's folk-rock backbone with natural reflections of The Band, Let it Bleed-era Stones, and an Americana edge recalling Lucinda Williams by way of Memphis.

Stepping a little to the left of the familiar, Penelope enlisted the stalwart Steven Strauss to compose Van Dyke Parks-ian string quartet parts (led by Julian Smedley who has played with Vivian Stanshall, Anthony Braxton, and Dan Hicks) to burnish the poignant "Meet Me in France" and "Winter Coats." Strauss, unafraid of Penelope's sometimes-unorthodox musical structures, adds grace to these dark, poetic and complex heartbreakers. It's not all gloom and doom, though. Giving us some lighter moments are the frisky "Scrap" and "USSA," a humorous wordplay on Cold War era consumerism.

Just two days prior to entering the studio, Penelope composed her most moving ballad of social injustice, the title track "On Market Street." Bare and haunting with an eerie bed of Mellotron, the song spotlights her voice, now life-honed to an instrument of strength and fragility. When asked about her decade-long work at San Francisco's inner-city library, Penelope told Devoted Ruins, "My contacts with people living downtown on Market St. have made me examine the ideals and beliefs of our society, our religions. I'm voicing the questions anyone would ask of a just God, if their eyes are open." The circle – started seven years ago with "If You're Willing" – was suddenly complete.

In your cobbled streets and in your alleyways
I'm singing to the breaking dawn
And if you're willing to die a little
You'll hear my song

Lush and literate On Market Street is the ultimate Penelope Houston album, a pinnacle of songwriting, performance, and fidelity that secures her place in the hearts of her fans and music lovers around the world.

Track List:

All the Way
Missouri Lounge
You Reel Me In
On Market Street
Scrap
Come Back to the Fountain
Winter Coats
Dead Girl
Meet Me in France
If You're Willing
USSA

Musicians:

Pat Johnson – guitar
Dawn Richardson – drums
Alec Palao – bass
Danny Eisenberg – B-3, Wurlitzer
Steven Strauss – bass
Michael Papenburg – guitar
Julian Smedley – violin
Benito Cortez – violin
Jeffrey Wood – Mellotron, Producer
Adam Muños – recording and mixing

© 2014 Penelope Houston